She has distilled oceans of material, audio tapes and negatives, and put us in the midst of the Jazz Loft experience. —Financial Times Weekend Magazine, 1317 W. Pettigrew Street What could you hear out of the window? Miraculously, a large portion of those recordings and pictures have survived, and they provide most of the visual and audio content of Sara Fishko’s documentary “The Jazz Loft, According to W. Eugene Smith” (Kino/Lorber). So it was a kind of innovative and exciting venture that he was involved in 1960.". Photographer W. Eugene Smith documented tens of thousands of photographs in and around his loft apartment, including this double-exposed nighttime shot of the space. "You'd be standing in the hall with him at the loft, and while he was chatting you up and being very attentive and intriguing, the camera was at his kneecap level, and he would snap, snap, snap.". The film became The Jazz Loft According to W. Eugene Smith, capturing the essence and scope of what were now three distinct Jazz Loft projects, each presenting the material from a different perspective. The book and exhibition had the subject title. 2015, History/Biography, 1h 27m. This place was cheap, all right: $40 a month, barely any electricity or water. African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. "You weren't supposed to live in them, but they did," Amram says. WNYC's Sara Fishko (Fishko Files) recreates the vibrant culture of New York's mid-century jazz era for the modern day viewer: in the 1950s, dozens of jazz musicians - Thelonius Monk, Hal Overton, Ronnie Free, and many more - jam night after night in a run down New York loft, unaware that all is being captured in sound and pictures by acclaimed LIFE Magazine photographer W. Eugene Smith. The two small children were those of W. Eugene Smith, the most famous of photojournalists. W. Eugene Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of The Jazz Loft Project, no one had seen Smith’s extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tale(s). For more information, and to see photos and hear audio clips from the Jazz Loft, visit our Jazz Loft Project Online Interactive. A lot of hot air from talking heads, and I've never seen so few African American faces in a film about jazz--indeed, if it wasn't for Monk showing up late in the film, you might think jazz was a primarily white artform. Explores Frank Sinatra's life and career with personal anecdotes, recollections, and quotes from family, friends, and colleagues, as well as an accompanying CD and facsimile reproductions of letters, scripts, and other memorabilia. W. Eugene Smith/©1957-1965, 2009 The Heirs Of W. Eugene Smith, The Jazz Loft Project Online: Sights And Sounds, The Jazz Loft Project Radio Series (WNYC). More than likely, you'd be photographed by him. As a lifelong listener to great jazz who spent most of my life in Chicago but was able to visit NYC occasionally, it was a great window into that loft scene, Zoot's contribution, and the Hall Overton collaboration that I've long loved. Located in a uniquely historic building in beautiful Stony Brook Village, Long Island, The Jazz Loft will include: A venue to preserve Jazz memorabilia and archives from throughout the U.S. A performance space to present world class performances A center for music education to ensure this great American treasure is … The Jazz Loft Project, devoted to preserving and cataloging the works of Smith, is directed by Sam Stephenson at the Center for Documentary Studies at Duke University, in co-operation with the Center for Creative Photography at the University of Arizona and the Smith estate. Al Cohn, whose work I admire even more than Zoot's. The "candy coated" version of the Loft aside, the 10 minute, or so., coverage of Monk and Overton is well worth the time spent, but there needs to be a full documentary on those 3 weeks at the Loft between Monk and Overton, and the Town Hall Concert, which is a 20th Century masterpiece. He left his family in a small town up the Hudson River, and moved in. Possibly, a fourth project awaits a meticulous mind with the time (and funding, no … Features new duotone reproductions of one hundred landmark photographs from the collection of The Museum of Modern Art that chronicle the historical evolution of the photographic arts in works by Adams, Weston, Stieglitz, Steichen, and ... In the 1950s, dozens of jazz musicians jam night after night in a dilapidated New York loft building, not realizing they are all being captured in sound and pictures by acclaimed LIFE Magazine photographer W. Eugene Smith, who lives in the loft space next door. And [Thelonious] Monk respected that I knew how to play the horn, but he knew that I was having a bit of a difficulty in swinging the beat; I was playing it more academically. In the 1950s, loft dwellings were still an underground way of life, recalls Amram, the composer. Alto saxophonist Gigi Gryce worked with Dizzy Gillespie, Thelonious Monk, and other jazz luminaries. This book includes a detailed discography and an index of recordings of Gryce's compositions. Copyright © Libri GmbH. All rights reserved. From 2000–2002, he … nationalsawdust.org. The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. 126. Before New York State’s mandatory shutdowns, the Robert David Lion Gardiner Foundation awarded The Jazz Loft a grant in the amount of $40,000 to match funds coming from local resident and patron Dan Oliveri. Her talent is staggering. Traces the life and career of the American photojournalist and looks at his photographs The Jazz Loft According to W. Eugene Smith is a crucially important slice of jazz history, of a fragile slice of New York and American life that is just a whisp in the history of jazz, photography, and ‘bohemian’ social scenes. The Jazz Loft Project Radio Series is supported, in part, by a grant from the National Endowment for the Humanities; and by an award from the National Endowment for the Arts. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Select the department you want to search in, Reviewed in the United States on December 30, 2019, Reviewed in the United States on May 24, 2020, Reviewed in the United States on February 1, 2021, Reviewed in the United States on October 9, 2016, Reviewed in the United States on August 4, 2017, Reviewed in the United States on December 29, 2019, Reviewed in the United States on February 23, 2019, Reviewed in the United States on September 21, 2018, Top subscription boxes – right to your door, Pass it on, trade it in, give it a second life, © 1996-2021, Amazon.com, Inc. or its affiliates. Found insideIt is up to us to share the love, the music, and the stories with our children, and our children’s children, for this is how they’ll learn. Thank you, Clark, for the wonderful example you have set. But I also love jazz. Found insideThrough scrutiny of Strayhorn's private papers and more than five hundred interviews, Hajdu revives Strayhorn as one of the most complex and tragic figures in jazz history. Bass player Bill Crow, among many musicians, befriended Young. He has served as the research associate for the Jazz Loft Project at the Center for Documentary Studies, beginning in 2003. Because it gave us a sense of what it was like to live in America, in New York City, in this particular neighborhood in Manhattan, in this time period, in a manner that nothing else could.". The one of his two children would be the first photograph he would take after his recovery. Of course, Eugene Smith recorded a lot of that music, too. Maggie Whitaker decides to forego college to work in her family-run jewelry shop. She becomes entangled with a mysterious John Doe. Durham, NC 27705, Alfred A. Knopf and CDS Books of the Center for Documentary Studies, Full Frame Theater @ American Tobacco Campus, John Hope Franklin Student Documentary Awards, Contacting CDS Undergraduates with Opportunities, CDS Curators' Award for Insight and Innovation, The Susan E. Tifft Initiative on Documentary and Journalism, Digging Up Thelonious Monk's Southern Roots, Five Farms: Stories from American Farm Families, Travels with Mike: In Search of America 50 Years After Steinbeck. Then you'd be greeted by photographer W. Eugene Smith, who rented space there for several years. Newsday photographer Thomas Ferrara won first place in the portrait category for the 87th Annual National Headliner Awards for "Jazz Musicians Out Cruisin'" for a photo of Jazz Loft musicians setting out on their 2020 Pop Up Concerts series. Not a surprise that the flashy convertible and Jazz Musicians caught the eye of the judges. In 1957, Eugene Smith walked out of his comfortable settled world—his longtime well-paying job at Life and the home he shared with his wife and children—to move into a dilapidated, five-story loft building in New York City’s wholesale flower district. As the first organic overview of the history of jazz in Europe and covering the subject from its inception to the present day, the volume provides a unique, authoritative addition to the musicological literature. 1 hr 28 min. Documentary. Photographer W. Eugene Smith recorded 4000 hours of audio tape and took 40,000 photographs in the Jazz Loft between 1957 and 1965. Ours is the first film to make use of this archive, now housed at the Center For Creative Photography at the University of Arizona. Press. TIME, "The Biggest Names in Jazz Came to Jam. "And then into those photographs were stuck other photographs so the whole room was, like, leaning. He was a regular in the loft. Found insideLured by the intoxicating trail of people that emerged from Smith’s stupefying archive, Sam Stephenson began a quest to trace his footsteps. But even as a photographer biopic, it's fairly weak -- edited ADD style (like most docs today), and much as it doesn't let its jazz audio clips breathe, it also moves on from each photograph too quickly to allow the viewer to linger on it and take it in. How Motown changed the landscape of American popular culture Found insideFree Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade ... In one room and another, musicians gathered for jam sessions. WNYC's Sara Fishko (Fishko Files) recreates the vibrant culture of New York's mid-century jazz era for the modern day viewer: in the 1950s, dozens of jazz musicians - Thelonius Monk, Hal Overton, Ronnie Free, and many more - jam night after night in a run down New York loft, unaware that all is being captured in sound and pictures by acclaimed LIFE Magazine photographer W. Eugene Smith. Author: Sam Stephenson. "I don't know how many cats he had. If you love jazz, film making and a seminal chapter in American music and photography -- get this! The Jazz Loft According to W. Eugene Smith (2015) cast and crew credits, including actors, actresses, directors, writers and more. The essays illustrate how for more than a century jazz has initiated a call and response across art forms, geographies, and cultures, inspiring musicians, filmmakers,painters and poets. He is one of the most influential jazz artists alive today. In Universal Tonality historian and critic Cisco Bradley tells the story of Parker’s life and music. Genres: Music Documentary, Biography Documentary, Art Documentary. It was great to see Hall as a person. The first English-language publication on either figure, the book highlights models for collectivism and pedagogy deployed in the Cherrys? interpersonal and artistic work through the presentation of archival documents alongside newly ... He wanted it to be “perfect,” and in ways it is. "Zoot Sims, Bob Brookmeyer, Dick Katz ...". Young, discovered the five-story walk-up in the mid-1950s. Photographer W. Eugene Smith documented tens of thousands of photographs in and around his loft apartment, including this double-exposed nighttime shot of the space. Japan and Minamata In the 1950s, dozens of jazz musicians jam night after night in a dilapidated New York loft building, not realizing they are all being captured in sound and pictures by acclaimed LIFE Magazine photographer W. Eugene Smith, who lives in the loft space next door. Really enjoyed this documentary about New York in the 50s and 60s, centering on a photojournalist and his obsessive documentation (through photographs and recordings) of the jazz musicians who came in and out of his loft in the flower district. Tom Manuel, founder of The Jazz Loft in Stony Brook, is always grateful when someone comes along and offers a helping hand, but during the pandemic, his gratitude is overflowing. Composer Steve Reich visited the loft often. The Jazz Loft already had a history by the time Smith moved in. Sure, the tapes are sitting in a university archive somewhere; the photos and writings from there are being saved and carefully stored, thankfully; but there won’t be any statues for Smith, no plaques for the troubled, sensitive, complicated and in some cases brilliant denizens who frequented and lived in this edgy, fringey loft space. In 1957, Eugene Smith walked out of his comfortable settled world—his longtime well-paying job at Life and the home he shared with his wife and children—to move into a dilapidated, five-story loft building in New York City’s wholesale flower district. I got to hear Zoot and record him, sometimes with the monster player and arranger. I've appreciated Robin D. G. Kelley's Monk bio, and it was great to associate a face with the name. From this loft Gene Smith photographed and taped everything within and outside, whether it was the flower markets on the street, or the jazz musicians jamming within. "Someone'd say: 'A bunch of us are going to go to this painter's loft on Sixth Avenue after work, would you like to come along?' Michael C. Heller tells these musicians’ stories, and the stories behind their stories, with a flowing, searching quality matched only by the words of the musicians themselves. So, we wander into sounds and stories of life in a grimy old building in some of the golden years for jazz in New York. hide caption, "He had a remarkable six-shooter style," says pianist Paul Bley. Genres: Documentary, Music. --. 92%. All the famous players of the day stopped by to rehearse, hang out and jam, as vibraphone player Teddy Charles tells it. This book tracks down the inside story on some of music’s most memorable moments. Focusing on the club DJ, the book gets first-hand accounts of the births of disco, hip-hop, house, and techno. If not for a great documentary like this, these people and this scene would just vanish or be swept into the dumpster of history. An epic study of industrial Pittsburgh in the 1950s by the legendary photographer features his commemoration of the city's bicentennial and assembles most of the project's photography for the first time. Reprint. 10,000 first printing. Examines the San Francisco jazz scene of the 1940s and 1950s, focusing on the Fillmore District, including its restaurants, shops, and nightclubs, and the musical legacy of such performers as Dizzy Gillespie and Lionel Hampton. His son, Pat Smith, visited the loft many times as his estranged father became entrenched. Stephenson led the project to organize, digitize and catalog the tapes. The documentary is an outgrowth of the award-winning "Jazz Loft Radio Series”, a 10-part national series that Fishko produced and hosted for WNYC in 2009, which brought many of … . Thanks to the makers/producers of this great piece. And the photograph conveyed an essential theme of the entire exhibition. "Gene Smith not simply turned his tape recorder on, but he practically wired the whole loft upstairs and downstairs so that he could tape everything," Feinstein says. The book is an elegiac stew of sight and sound, and a singularly weird, vital and thrumming American document.” The Jazz Loft According to W. Eugene Smith. How? He aimed his camera almost exclusively at visitors to a loft in New York, where the cream of the jazz world came to improvise. He began with the idea of recording his cats. He had been looking for a cheap place to paint. Smith was also, less obviously, audio tape-recording nearly everything that happened in the loft. The boy in the photograph is one of the many interviewed in this realistic tribute to Smith, directed by Sara Fishko and released in 2016. The Jazz Loft According to W. Eugene Smith, a documentary film produced by WNYC Studios in association with Lumiere Productions, is now available as a full-length feature film and … Duration: 1 hour 28 minutes. If you write the contents roughly The documentary film "Jazz Loft" conveys the enthusiasm of the film. Your purchase helps support NPR programming. The Jazz Loft According to W. Eugene Smith. Found inside(Jazz Piano Solos). 14 of Monk's musical classics are presented in piano solo format with chord symbols. The bright spot in the film is the brief dive into Monk's rehearsals with Hall Overton in preparation for the Town Hall Concert--the only time when the film actually pays attention to any subject matter long enough to give the viewer any insight into it. And behind them were others, so the whole room was this leaning series of photos, and about to fall and engulf you.". W. Eugene Smith/©1957-1965, 2009 The Heirs Of W. Eugene Smith He recorded the television and radio programs he had on, daily, in the loft, as he was printing and working in his darkroom. This is "THE JAZZ LOFT ACCORDING TO W. EUGENE SMITH _ WNYC Documentary _ Official Trailer _ FilmBuff - YouTube [720p]" by Eh.. on Vimeo, the home for high… Keith Rowe was one of the founding members. 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